cRITIque & THEORY

Landscape/ Robert McCarter, Juhani Pallasmaa/ Translated by Reza Amirrahimi 

Hadrian’s Villa, Tivoli, Italy, 118-38/ Translated by Azita Izadi

Katsura Imperial Villa, Kyoto, Japan, ca. 1615-56/ Translated by Azita Izadi

the university of virginia, charlottesville, virginia, usa, 1817-27, thomas jefferson/ Translated by Azita Izadi          

Woodland Cemetery, Stockholm, Sweden, 1915-40, Erik Gunnar  Asplund and Sigurd Lewerentz/ Translated by Azita Izadi

Fallingwater, Mill Run, Pennsylvania, USA, 1935-9, Frank Lloyd Wright/ Translated by Azita Izadi

swimming pools on the sea, leça da palmeira, Portugal, 1961-6, Álvaro Siza/ Translated by Azita Izadi           

Nature in Frank lLoyd Wright Works/ Mohammad Mohammadzadeh 

8 House, Copenhagen, Denmark, Bjarke Ingels/ Text: Keyvan Salimi, Photo: Renata Hasani

economy as ethic in houses of MacKay-Lyons sweetapple architects/ Robert McCarter/ Translated by Reza Amirrahimi

soane house, london, uk, 1792-1824. sir john soane/ Translated by Azita Izadi         

Castelvecchio Museum, Verona, Italy, 1956-78, Carlo scarpa / Translated by Azita Izadi

myyrmÄki church, myyrmÄki vantaa, finland, 1980-4, juha leiviskÄ/ Translated by Azita Izadi

Church on the Water, Hokkaido, Japan, 1985-8, Tadao Ando/ Translated by Azita Izadi             

Thermal Baths, Vals, Graubunden, Switzerland, 1990-6, Peter Zumthor/ Translated by Azita Izadi

Chartres Cathedral, Chartres, France, 1194-1250/ Translated by Azita Izadi

The Tea Room/ KAKUZO OKAKURA

Wassily Kandinsky

The Blue Rider/ Reza Amirrahimi

Commemoration

About Iraj Etesam, Architect/ Gity Etemad

•Cover: Spinning, Wassily Kandinsky, 1925